47581

Survey of Western art from the Paleolithic period through the Medieval period. Art will be discussed from critical and historical perspectives with regard to formal visual elements of style and social context.

Expanding upon advanced techniques, working methods, and idea development practices, students produce a unified body of artwork for that can be applied towards transfer to university, art school or professional practice. Emphasis on creating self-directed artwork that connects working approach, style, and content with refinement of critical thinking, presentation, and technical skill.

This advanced intaglio and relief printmaking course expands upon intermediate plate making and printing techniques in support of innovative working styles and unique content that result in the creation of complex prints. The course emphasizes the layering of color and surface information using single and multiple plates.

This is an intermediate level intaglio and relief printmaking course which expands upon beginning level intaglio and relief plate making and printing techniques. As the second course of the Fine Arts Printmaking family, it is designed to strengthen problem solving skills while creating multi-layered, personal imagery that involves color. This course is part of the AA-T Studio Arts Major.

Introduction to the basics of intaglio and relief printmaking with an emphasis on both contemporary and traditional aspects of the medium based on reference to historical, cultural and contemporary issues of the field. Various plate making and printing techniques will be explored as students develop their aesthetic skills and creative ideas. This course is part of the AA-T Studio Arts Major.

A course in the theory and practice of drawing using a variety of media and subject matter. The student will develop drawing skills through the use of line, plane, tone, shape, form, volume, chiaroscuro, and perspective. Group and individual instruction related to progressive assignments will encourage subjective and analytical development.

Heritage of West African civilizations prior to and during the slave trade, and of African-Americans from colonial to contemporary times. All art will be discussed from both a critical and historical perspective with regard to formal visual elements of style and the societies, values, and ideas that gave birth to African-American art.

This capstone course builds on the skills, concepts, and issues addressed in the Jewelry/Metal Arts sequence for students to create a self-directed, unified body of work in preparation for transferring to university, art school, or professional activities. Emphasis on refinement of analytical skills and technical expertise in the exploration of contemporary art and jewelry/metal arts issues and on professional presentation of artistic creations.

An opportunity for advanced students to focus exploration on subjects of interest, such as historic, contemporary, one of a kind, or production jewelry/metal arts. This is for highly self-motivated and directed students ready to develop their work, concepts, and design capabilities and to present their results in a professional manner.

Building on previous experience, intermediate students will explore more advanced jewelry and metal smithing techniques including stone setting, sinking, angle raising, synclastic/anticlastic raising, kinetic junctions, and forging. Emphasis is placed on refining technical skills, development of tool use, knowledge of safe practices, personal expression, and refinement of aesthetic sense.